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Do not click and drag, which can be too strong.
#When will alienskin exposure 4 drop skin#
( Ctrl/Command + E) Step 9: Skin Corrections For BodyĬlone with short taps repeatedly until the area is fixed. Select the ‘Background Copy’ layer and, using the Eraser Tool ( E), remove the over-softened layer over the face.įlatten the image. My Portraiture settings are shown at left for a very light handed softening effect. (This step only applies if you have purchased and installed Portraiture.)įrom the Filter Menu select Imagenomic > Portraiture. Step 8: Run Imagenomic > Portraiture Plugin Keep in mind that a smaller brush will be more precise, while a larger one will be more soft and diffused. Using the History Brush Tool ( Y) restore any areas that have been over-edited. Undo repeatedly until it’s easy to isolate the adjustments you made. Then Undo ( Ctrl/Command + Z) and watch your image change. In the History Window, Select the Original File (at the very top). Step 7: Compare Original and Fix Over-Editing Follow the direction of the hair whenever possible.įix any wobbly bits in the clothing and body, paying special attention to the outer perimeter of the body line. Using the Forward Warp Tool ( W) push and pull the hair to create the desired shape. Open the Liquify Filter Screen ( Shift+Ctrl+X).
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Adjust layer opacity if needed, and then flatten the image. Use the Eraser Tool ( E) to remove any eyelashes that encroach into the natural border of the eye. Check "Flip X" and rotate again to repeat on other eye. Adjust the size and angle of the brush, then paint onto the new layer. Google “Free Eyelash Brush Set Photoshop”). Match the foreground color to the existing eyelashes.
#When will alienskin exposure 4 drop free#
Using the Brush Tool ( B) select an eyelash strip brush, (must be downloaded separately - there are several free options available online. Increase and decrease your brush size using the bracket keys to match the size of the area you’re working on.Ĭlone with short taps repeatedly until the area is fixed. Using the Clone Stamp Tool ( S) with the settings above, source a clear spot of skin near the area to fix, being sure to match colors and shading as closely as possible. Invert mask ( Ctrl/Command+I), then brush mask in over catch-lights only. Decrease Saturation of the Reds and Magentas. (For brown eyes:) Create a new Hue/Saturation Adjustment Layer. Use the History Brush Tool ( Y) to soften the intensity of the catch-light, as needed. Increase the brush size and tap several more times just to the right of the original light. Use Dodge Tool ( O) at 40% exposure with a very small brush, tap a few times just outside the pupil (at about 1 o’clock). Use Burn Tool (Hold down Alt/Option with Dodge Tool Selected) at 30% exposure to darken the pupils slightly. Use Dodge Tool ( O) at 15% exposure to brighten whites of the eyes and irises. ( Right Click > Edit In > Photoshop) Step 2: Enhance EyesĪpply “EYES” Action ( subscribe to access the video tutorial to create action in Photoshop). (Note: Decrease “Whites” and increase Exposure as needed.) (With the exceptions of Exposure and White Balance, which I manually adjust based on each image).
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These are the settings I use for back-lit images, which I have saved as a preset. Her work is in the collection of the City of Pittsburgh, the Children’s Hospital of Pittsburgh, Carlow College, Whole Foods Market, the Porter~Price Collection, Kohler Art Center, Kohler Company, and HBO in New York.Correct Exposure and White Balance, make necessary color adjustments and sharpen as desired. She received a National Endowment for the Arts grant to conduct a workshop at the John Michael Kohler Arts Center, a Mid-Atlantic grant for a large mosaic installation in Baltimore, as well as a Mid-Atlantic Fellowship at WVU. Her work is featured in the following books:Confrontational Ceramics, 500 Figures, 500 Teapots, 500 Bowls, 500 Cups, and Poetic Expressions of Mortality. Laura Jean’s ceramic work has been featured in various periodicals, including: Germany’s New Ceramics, Korean Ceramic Art Monthly, Ceramics Monthly, Clay Times, American Style, and American Craft Magazine. She is a recipient of the Maggie Milono Memorial award from the Carnegie Museum of Art and three prestigious residencies from the Kohler Company in Wisconsin. Her work has been exhibited in over one hundred galleries and museums, including the Ogden Museum of Southern Art, the Mobile Museum of Art, the Montgomery Museum of Art, the Ohio Craft Museum, the Carnegie Museum of Art, the Delf Norona Museum, the San Angelo Museum of Fine Art, the Baltimore Institute of Art, and the State Museum of Pennsylvania. Laura Jean McLaughlin received an MFA in ceramics from West Virginia University (WVU).